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The Messiah Chord

I need to update this page and include some diagrams and also record some audio. I have withheld the actual chord itself until the book of more than 300 pages and 50 diagrams is published (if I can find a publisher). Aside from the chord itself, some of my other discoveries and theories have never been put forth by anyone else before, so some of what you read here will be new to you.The Messiah Cord encompasses music, numbers, and spirituality. This website only details (in part) some of the aspects of the Messiah Chord. Please keep in mind that after I started to document my findings and concepts years ago (which later was formed into a book), I left Christianity in 2023, but have left the Christian and Jewish themes and allegories intact, rather than rewrite the entite book. The story of why I left Christianity can be found by clicking the Amen tab

Years ago I discovered The Messiah Chord by merging the only three chords in music: the major, minor, and the diminished 7th minor chords.  I kept this a secret to myself until December 2023 when decided to go public with it. Music is a manifestation of number. Numbers do not represent principles, rather, numbers ARE principles. Just as there are three chords: major, minor, and diminished 7th minor, so also there are three types of 7th intervals: major, minor, and diminished. This is not a coincidence. How is it that the major and minor chords are polarities in that each contain both major and minor thirds, but the diminished 7th minor chord only contains minor thirds? This is theoretically impossible because since like charges repel, the chord should self destruct, since it contains four minor thirds. Nothing of a material nature can exist unless it is a polarity. This is because the core building block of everything is the hydrogen atom which consists of one proton and one electron. Matter cannot be reduced below this without self destructing. Imagine an atom that has four electrons only? Impossible, yet this what the diminished 7th minor chord contains: four minor thirds. There are only 9 principles that govern everything in the universe, just as there are only nine numbers. These 9 principles are encoded in The Messiah Chord as 9 notes. Here is the blueprint for everything.

The Messiah Chord is built around what I call the chasm which is apparently "nothingness", yet this "nothingness" is everything. The Chasm is not an interval, rather it is "no man's land" and does not belong to any note or interval or chord, and it is a barrier that cannot be crossed. The Chasm is where the greatest mystery of all is hidden, yet it has previously not been known to exist. This chasm is so mysterious, so hidden, and so sacred, that it cannot be found in the major, minor, or diminished 7th minor chords. It can only be revealed in The Messiah Chord. 

We have been taught that there are 7 notes: A to G, but this is wrong. There are 12 notes. The idea of sharps and flats is wrong and goes against mathematics and defies logic. The black keys then take on a different function altogether, not as accidentals, but as their mathematical placements on the keyboard as clusters of 2 black keys (hydrogen: [2-part molecule] the material realm) and clusters of 3 black keys (deuterium: [3-part molecule] the spiritual realm) in relation to the white keys which are found as singles or pairs. These singles and pairs of white keys are interesting because it is the pairings only that link the clusters of 2 and 3 black keys. The single white keys link the black keys that are already inside of a cluster, but do not link the clusters themselves.

It is the groupings and placement of the white and black keys that holds significance to our understanding of music as a whole. This enhances our understanding of intervals which cannot be properly understood only as intervals, but can only be properly understood within the context of their relationship of the white to black keys within those intervals. For this reason the intervals take on different meanings or aspects depending on which key they start from.

This is why The Messiah Chord can only be found starting on one specific key, because of the relationship of the white and black keys that are involved. When we combine the significance of the placement of the white and black keys to the relationship of the intervals of The Messiah Chord, then add to that the mysterious and sacred Chasm, it is only then can we get a proper realization of the significance of the discoveries within this chord.

Just as 2 applies to the material realm (in the form of polarity) so does 3 apply to the spiritual realm. The reason that 2 governs the material realm is because everything material is derived from hydrogen which has only two parts: one proton and one electron. Nothing can be reduced lower than hydrogen any more than you can separate the two sides of a coin without destroying the existence of the coin. The material realm is a manifestation of the spiritual and so the principles of the spiritual realm govern the material realm as well in that as the principle of twoness is a part of the threeness in the form of the number 2, which is a part of the 1-2-3. Altho the 2 is found in the 1-2-3, the 3 is not found in the 2. The spiritual realm dominates the material realm, and hence 3 is superior to the 2, yet they work together in cooperation, not with animosity. 

There are 9 principles and 9 numbers. We often refer to “those 9 numbers” as such but this denotes quantitativeness and chronology. More accurately they are three groups of three, and are better seen as such. We can also say that there are 3 aspects of 3 principles. In this way there wd be 3 principles with 3 aspects of those 3 principles. In another way we can say that there is 1 principles with 3 aspects, then 3 aspects of those 3 aspects. All principles are based on the foundation principle of everything, which is the 1-2-3. In the spiritual realm, everything is in 3's. It cannot be otherwise. So we can understand those 9 principles as:

1
1 2 3
1-2-3 1-2-3 1-2-3

The foregoing is in a sequencial or quantitative format. But more corectly the spiritual understanding is:

1
1 1 1
1-1-1 1-1-1 1-1-1

In this diagram there is unity and not chronology or quantitativeness. In the spiritual realm numbers do not exist: this is only a function of the material realm.

We have been taught in church that God is all, and is in all and that nothing can exist outside of God. There are the doctrines of omnipresence and omnicience. If evil exists and the concept of God includes everything, then God is also that evil. If God does not include evil, then God is not the "all in all", and is therefor not God. And if God encompasses everything, then God also encompasses diversity, and God is diversity and well as unity. Notice carefully that I did not say that God is division. Division does not exist any more than a hydrogen or a deuterium atom can be divided without ceasing to exist.

Diversity is a part of unity, not an abbertion away from it.  The disunity (the division: which is the decent into the material world of polarity) is absolutely necessary for God to be God, because God cannot be God without knowing all things, and this knowledge cannot be acquired without experiencing all things.The knowledge and the experience are inseparable.  And who is it that does that experiencing? It is you and me. We are God. The 2 is what introduces life on earth into the equasion because 2 is polarity (not division) because we have good and evil in this world and also diversity. It is the diversity that allows us to experience all things. We are that "God" who expereinces all things, as we as Man (Greek: Anthropos) accummulate all knowledge. Hence Man is God. God (Man) does experience all things which include skydiving, marriage, pain, sickness, playing hockey, climbing mount Everest, freezing to death: everything. There is no such thing as division as for example if you eliminate cold you also eliminate hot. Hot and cold are not a division but a polarity because one cannot exist without the other. There is no such thing as a one sided coin.

In the spiritual realm there are no numbers at all. (even the number 1 does not exist in the spiritual realm, but I use it so that we can better understand the situation) This is because everything is one process, but even the term "one process" cannot be used because "one" cannot exist because there very presence of a "one" means that it is differentiating this "one" from other  numbers, so that other numbers must exist also. Since hydrogen is a polarity and the electron cannot exist without the proton, this is not a quantity of two any more than we can remove one side of a coin and still have a coin. There is therefore no such thing as a quantity of two, and therefore no division or schism (in the spiritual realm). Even the chasm is not a division and can only be properly understood as not separating any numbers, but rather as not allowing a passge across it. The principles of the numbers still interact with each other, but not thru the chasm, but rather thru the 9. 

In numerology we are told that 1 is God or Unity, and that 2 is division, and 3 is the unification of that division. This is not correct. 1 (quantitatively) is not Unity and is not God, but rather 3 is Unity and God. Here is why: The 1 starts out with no knowledge, and since God is suppose to have all knowledge, we have a big problem here. True knowledge only comes from experience, and experiencing everything. It is the 3 that has unity, not the 1, and that the 1 cannot have unity because there is nothing to unify: it has no experience and no knowledge. It is apparent that the 1-2-3 must be understood as 1 whole process. These 3 numbers are inseparable and hence are not really three numbers, any more than deuterium is three separate entities. Here I am using the chronological format of 1-2-3 as sequencial only for demonstration purposes to help you to better grasp the concept, but in reality there is no chronology because the spiritual realm is outside of the realm of time.

You may also be wondering how it is that I said that there are 9 core principles yet there are 12 notes. Consider a woman who is pregnant for 9 months. She is counting the months until her baby is delivered. After the baby comes, is she still counting the months? She is not saying "Get away from me you  remaining 3 months of the year, I don't want you here any more." They are just not in the picture in the first place. There is no forcing involved. In Ancient Egypt their months consisted of exactly 30 days, which is because each month had 3 decans, which is a length of 10 days. Hence 9 months was exactly 30 X 3 (or 3 X 3 with reduction).

Since numbers are the basis for everything, and there are only 9 numbers, then why would not we use base 9 counting system instead of base 10 system? In fact we do use base 9 but it is disguised as and wrongly labelled as base 10. Ten is not a number. It contains one number (1) and one (and the only existing) non-number which is 0. Ten is the symbol for sex. The ten keeps reproducing cycles of three groups of three. Notice that there was no sex to produce the original set of 9 numbers, which is the only set of 9 that exists. This is because the 9 numbers are eternal and had no beginning nor will have an end.

1 2 3 4 5 6 7 8 9 1 2 3 4 5 6 7 8 9 1 2 3 4 5 6 7 8 9
1 2 3 1 2 3 1 2 3
SEX 11 12 12 14 15 16 17 18 19
1 2 3 1 2 3 1 2 3
SEX 21 22 23 24 25 26 27 28 29
1 2 3 1 2 3 1 2 3
SEX

(To read more about 10 and sex click here)

There are only two keys from which symmetry can start from (as a centre key), and these are the D and G#/Af. But unlike other models, we can only start counting from the middle, not from the end or start as we wd do for example by spelling the G major chord which must start from the first key of that chord which is G. And chords or intervals starting at the D or G#/Af can only start on that middle key in order for there to be symmetry, and we must count in pairs. Since there are 9 numbers, 9 principles, they can only be conveyed in 9 notes, so the only way that we can consider using the D or G#/Af as a location for the Messiah Chord we must span out from that centre key in pairs, and count 1-2-3-4 on each side to reach 8, then we count the starting key of D or G#/Af as 9. The reason why we use the D or G#/Af as 9 is by default. There is no other option. This is because the symmetry can only be in the form or pairs on either side of the centre note. This is better shown in a circular diagram in that the 1's, 2's, 3's, and 4's line up horizontally as pairs, and hence the symmetry. The 9 can only be at the top centre because that is the only place that it can be.

4 3 2 1 9 1 2 3 4
Bf B C Df D D# E F F#

In this example the span is from Bf to F3, leaving  space of 3 notes (G - G# - A) between them, and likewise the D key  (below) spans  E to C and leaves a gap between the C and E which is C# - D -  Ef, again, three notes. The gap in the G key covers the D, and the gap in the G# chord covers the D. 

E F Gf G G# A A# B C
9 1 2 3 4
Now I will give you a big clue as to the location of the mysterious chasm. it is located below the 9 and between the pair of 4's. The chasm acts like a plateau amongst a group of people. imagine that an earthquake has created a chasm on this plateau so that that same group of people cannot intermingle nor communicate accross the chasm. 

The only way that people on both sides can meet is to walk to the top of the circle and meet where the 9 is, and actually the 9 is three 3's (groups of 3), and we can also say that it is 3 because it is three manifested as three groups of 3. In this way the 3 is the unity and not the 1. The 3 is God. It is Jesus who obtains the experience but Christ who obtains the knowledge. One is the son of Man and the other is the son of God. Notice the transition here from Man (Jesus) to God (ignorance to knowledge) [ignorance here meaning the lack of experience] The chasm then is when Jesus hung on the cross at the 9th hour said "My God my God, why hast thou forsaken me?" Notice that it was the 9th hour! And that this chasm is located directly below the 9! Click the circular diagram (keep in mind that the diagram is suppose to be circular but I am not an artist) I described in the video (which I need to record soon and put here) where you will see that the chasm (located between the pair of 4's, and below the 9, has reached its end and now has to return back to the top of the circle (the 9). (theologically speaking the knowledhe returns into the bosom of the Father (Amun). It has reached its end becuse if you look at this in the linear configuration with each of the 4 notes going in opposite directions from the 9 (D or G#/Af), they only can extend as far as the 4 and no further. The only place remaining for them to go is the opposite direction back to the 9. They cannot cross the chasm to the opposite 4.
       Here is the location of the chasm and a deeper insight into its purpose. Yet there is more to the chasm than just what I have told you. But that is all I will reveal about it for now. God has forsaken Jesus at the 9th hour when he has died. A dead man cannot cross a chasm. The 2 does not unify: the chasm is never crossed. The unification is only in the 3 but actually as see it, the 3 is really the 9 which is at thw top of the diagram. I am not here referring to the two 3's which are located on either side of the 9, because these 3's are functions of the material realm, but the 9 at the top (3X3, or 3) is the unity and is the spiritual realm, whereas the 8 numbers occupying both sides of the 9 (3) are in the material realm. So 1 cannot be unification and hence cannot be unity or God. 3 is Amun. 1 is a polarity as we seen on the diagram.
       The standard fare in physics is to combine electricity and magnetism, which are both polarities. I do not use this model. Instead I use polarity and contrary motion.
Contrary motion is important in music in that it helps us to avoid "55's and 88's" which are consecutive 5ths and 8ths which are forbidden in voice harmony. This is when any 2 or more voices go in opposite (vertical) directions of each other. This is how (by using polarity and contrary motion together) that the Knowledge (Christ) is able to find its way back to the Father (Amun), which is not possible by using electricity and magnetism together. Electricity and magnetism are both polarities and only work in the material realm which itself is polarity, whereas contrary motion is not a polarity and only works in the spiritual realm. This is why contrary motion and polarity together is the only way that the Knowledge can "travel" to Amun (the hidden part of God.)
     
The minor and major chords using only the blacks.
 

minor chord Ef -3d Gf +3d Bf
major chord Gf +3d Bf -3d Df

Here we see that the centre of the major and minor chords is the middle black of the cluster of 3 blacks, but that the only unused key is the D. This is a difference between the function of the centre D scale and the centre G#/Af scale. Notice that the major 3d involves the cluster of 3 middle black keys and that the minor third involves the cluster of 2 black keys, but that its involvement in this cluster of 2 is from both (opposite) sides, but that the minor 3d interval does not span this cluster of 2. How fitting this is because 2 represents the minor (material realm) and 3 represents the major or spiritual realm. The 2 is divided even in how the minor 3d is found in it! (The C# and Df are not side by side but are as far away as they can be from each other) The major 3d is found in the spiritual realm, the realm of threeness. Here the polarity (2ness) rules the material realm while at the same time the 3 has greater rule because it is a minor 3d that allows for or makes necessary that diversity or twoness.

Here the positive charge (
+3d) is between the two negative charges. In the passion story Jesus (positive) is between two theives (negative charges). The motif of 3 always contains two alike in some way or of the same category, but one different or of a different class or category. The next atom up from hydrogen (which has 1 proton and 1 electron) is deuterium which contains 1 proton, 1 electron, and 1 neutron. Deuterium has two similar or of the same class: the proton and electron (both polarities), and one different or not of the same class (not a polarity): the neutron. This same motif of two similar or of the same class, and 1 not similar or of a different class is also found wherever we find the principle of 1-2-3.

Here is a key difference in my model. There is symmetry of the black and white pairs, yet at the same time that this symmetry is happening there is also symmetry of the pairs of numbers. This symmetry (horizontal) of numbers and colours is the polarity, and the contrary motion is the vertical numbers. Hence it is the numbers that partake in both the realms the material (polarity) and the spiritual (non-polarity: contrary motion). Hence also polarity is of the material realm but contrary motion is of the spiritual realm, not as some wd postulate it that electricty is of the spiritual realm and magnetism is of the material realm (or vica versa). Polarity does not exist in the spiritual realm. It only exists in the material realm where hydrogen is the base. Contrary motion is not a polarity. 

In one sense, there are two key systems: the white keys and the black keys, which function differently from each other. For example, if we use triads containing two intervals of thirds, starting at A we will get major or minor chords, with the exception of B (no major or minor chords start on the B):

major and minor chords using white keys

Key

A

B

C

D

E

F

G

Major

C - E - G
F - A - C
G - B - D

C - E - G
F - A - C
G - B - D

F - A - C
G - B - D
C - E - G

F - A - C
G - B - D
C - E - G

F - A - C
G - B - D
C - E - G

G - B - D
C - E - G
F - A - C

Minor

A - C - E
D - F - A
E - G - B

D - F - A
E - G - B
A - C - E

D - F - A
E - G - B
A - C - E

E - G - B
A - C - E
D - F - A

A - C - E
D - F - A
E - G - B

A - C - E
D - F - A
E - G - B



major and minor chords using black keys

Key

Ef

Gf

Af

Bf

Df

Minor

Ef-Gf-Bf

Major

Gf-Af-Df

All the black keys are landing keys except for the G#/Af which is the middle key. Since the major and minor chords span from Ef to Df, the D is outside of the span area of the chords. It is like a firewall. There is an augmented 4th/diminished 5th between the centre black key and the D, in both directions. Unlike the white keys where only one key has no major or minor chord starting from it, with regards to the black keys that are 2 keys (G#/Af and C#/Df) that do not have major or minor chord starting from it, altho only one of these 2 keys (G#/Af) is the only black that is not a landing key. So how are we to understand this D which is outside of the span of the black key major and minor chords?

Your comments and questions are welcome

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